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JVC DLA-NZ500

4K cinema projector with the new BLU-Escent laser, 2,000 lumens and Gen2 Frame Adapt HDR.

JVC brochure for the DLA-NZ500 (opens on jvc.com) ›

RRP $9,999

Taking back orders for the next shipment

Call (07) 5408 3314 for our best price

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  • World’s smallest native 4K projector
  • BLU-Escent laser, 2,000 lumens, about 20,000 hours laser life
  • 0.69 inch native 4K D-ILA devices (4096 x 2160)
  • Gen2 Frame Adapt HDR with HDR10+ support
  • Available in black or white

Available in black or white, choose on the order form. Full Australian warranty. Order on the next page, no cart and no account needed.

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Back orders We take back orders when JVC and Epson models are out of stock, with minimal deposit, fully refundable if you change your mind. We do not charge restocking fees.

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Goes with it

Watch the JVC DLA-NZ500

JVC DLA-NZ500: “the best in class”, the AVForums review and comparison
JVC's DLA-NZ500 & DLA-NZ700 Projectors
JVC NZ500 & NZ700 Projector Comparison! World's Smallest 4K D-ILA Home Theater Projectors!
JVC Home Theater Projectors | A Guided Tour of JVC's Website: Uncover Tools, Features & Tips

About the JVC DLA-NZ500

Press release here

Review by Roland from Simple Home Cinema here

The premium mounting option being the Strong micro adjustable mount comes in black and white also.

General Overview

High Brightness and Long life: JVC’s proprietary laser light source technology, Blu-Escent, uses a blue laser diode as the light source. The DLA-NZ700 achieves a high brightness of 2,300lm and the DLA-NZ500 2,000lm. Both models have a laser life expectancy of approximately 20,000 hours.

Deeper Blacks for Richer Gradation: The new Deep Black Tone Control has been added to Frame Adapt HDR, with a new algorithm to further subdue tones in dark areas to achieve more realistic darkness. This function maximizes the dynamic range of the new-generation 4K D-ILA devices and delivers images with more contrast than ever before. Scenes with light and dark shades such as nightscapes can be projected with greater realism

Gen2 Frame Adapt HDR Function for Brighter and More Colorful HDR Images: The Frame Adapt HDR function, which uses a proprietary algorithm to instantaneously analyze the maximum brightness of any HDR10 content per scene or per frame and perform real-time tone mapping to optimal dynamic range for video projection, has evolved into the second generation (Gen2). The algorithm for tone mapping has been fully reexamined to achieve HDR images with higher definition. Furthermore, the proprietary algorithm for tone curve selection has also been improved to reproduce HDR images that are brighter, more colorful and have a wider dynamic range.

Features

  • Completely redesigned interior and exterior results in world’s smallest native 4K projector
  • New BLU-Escent Laser Light Source
  • New 80mm, 15-element, 11-group high-quality lens
  • Native Contrast Ratio of 40.000:1 translates to a spectacular Dynamic Contrast Ratio of ∞ :1
  • 2x HDMI (32 Gbps, HDCP 2.3) inputs, supporting 4K60P input signals
  • HDR10+ metadata supported to automatically reproduce images as the creator intended.
  • Frame Adapt HDR dynamically tone maps any HDR10 content frame-by-frame or scene-by-scene and automatically performs adjustment to achieve optimal images. It includes improved gamma processing accuracy from 12- to 18-bit equivalent to reproduce smoother and finer gradation.
  • Auto Tone Mapping function automatically adjusts settings for optimum HDR10 image quality.
  • Color Management System with 6-axis Matrix
  • Wide Colour Gamut above exceeds DCI/P3 spec creating saturated, beautiful images that come to life.
  • 0.69-inch 4K D-ILA (4096 x 2160) device x 3
  • High brightness of 2,000 lm provides vibrant and dynamic images
  • FILMMAKER MODE™ that faithfully recreates the creator’s intentions.
  • For easy reproduction, the projector switches automatically to HDR picture mode when HDR10 signals are received.
  • ISF C3 (Certified Calibration Controls) mode to reproduce excellent picture quality optimized for specific environments
  • Eight settings of Installation Mode include Lens Control, Pixel Adjustment, Mask, Anamorphic on or off, Screen Adjust, Installation Style, Keystone, and Aspect; stored installation modes for various environments can be called up.
  • Auto-Calibration Function using an optical sensor.
  • New picture mode ”Vivid” for SDR Images
  • DML (Display Mastering Luminance) adjusts/sets the dynamic range for better HDR experience

JVC DLA-NZ500 and DLA-NZ700 in black and the DLA-NZ500 in white

Will the JVC DLA-NZ500 fit your room?

Work out the distance from the lens to the screen for a Majestic screen size, or the screen that fits the distance you have, from JVC’s published throw ratio of 1.34 to 2.14 (16:9 picture, 1.6× zoom).

The calculator needs JavaScript. Throw ratio 1.34 to 2.14: multiply the picture width by these numbers for the nearest and farthest lens positions.

How to use the projection calculator
  1. Drag the sliders (or type the numbers): the distance from the projector’s lens to the screen, the picture size as a diagonal, and the lens setting from no zoom to full zoom. With nothing locked, moving the distance or the size keeps the zoom where it is and the other follows, as a projector does when you move it without touching the lens.
  2. Lock the distance (the projector is in place) and the picture size slides between the smallest and largest it can make there; lock the picture size (the screen is in place) and the distance slides between the nearest and farthest the projector can go. The zoom slider moves whichever one is free.
  3. Majestic sizes: pick one from the list, or drag to any size. The words under the drawing give the distances that suit the picture, and the Majestic screens that fit at the distance you have. 16:9 (1.78:1) is the normal HD shape; 21:9 Cinemascope (2.37:1) is the wide shape most Majestic screens are made in, and 2.35:1 or 2.40:1 can be made on request.
  4. The drawings: the front view shows your screen at that size and, with dashed lines, how far the lens can sit from the centre of the picture thanks to the lens shift, without tilting the projector; the side view shows the throw distance. Tick Ceiling mounted to see it hung from the ceiling; table or ceiling makes no difference to the picture.
  5. Brightness is worked out from the maker’s rated lumens, the picture area and the fabric’s gain (Evo Ultra 4K White 1.26, Evo Grey 0.9, Acoustic Vision 1.16, Dayfire 0.8). The rating is the projector’s brightest mode, so a calibrated cinema mode is dimmer: treat the figure as the top end. Around 14 to 16 foot-lamberts is the cinema reference for a dark room; a room with some light wants 22 or more.
  6. Measure from the front of the lens. The maker’s figures carry a little tolerance, so leave some room to move, and check the manual before you build anything in. On a Cinemascope screen the 16:9 picture is zoomed to the screen’s width; its extra height falls on the masking.

As a package

JVC DLA-NZ500 cinema projector, Strong mount and Majestic screen integrated projection suite

JVC DLA-NZ500 package with a 110″ 16:9 Majestic Evo 4K screen: $10,385 Build this package ›

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